While in recent years, Hollywood has made strides to better acknowledge the mistreatment of women in the film industry and move toward improving gender equality, that the wrongdoing in this specific case is only being acknowledged after the director’s boastful admission (rather than Schneider’s previous statement) reveals just how far we have to go to not only give women a platform, but actually listen to them when they use it.
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“Plus, he and Marlon made a fortune from the movie and I made about £2,500.” However, it’s telling that we only seem to be acknowledging this now after Bertolucci’s comments were made public, and not when Schneider revealed a similar version of events nine years ago.īack in 1972, Bertolucci and Brando received Oscar nominations for the film, while Schneider was snubbed. “I’ve not really forgiven (Bertolucci) for the way he treated me,” she told the Daily Mail. Just as obvious today, as it was in 2007, Bertolucci and Brando (who himself died in 2004 from respiratory problems) conspired to place Schneider in a physically and sexually compromising situation without her knowledge, banking on her youth and inexperience, making the entire incident an assault – whether she was penetrated by Brando with the butter or not. This advertisement has not loaded yet, but your article continues below. Garnering no where near the attention being given to Bertolucci’s recently unearthed comments, Schneider repeatedly noted that while the sex in the film was all simulated, the scene left her traumatized feeling “raped,” “humiliated” and scarred for years after filming wrapped. Nearly a decade ago, Schneider, who died from cancer in 2011, told her side of the story in an interview with the Daily Mail – except, it seems, no one was listening. However, there is another aspect to this story that is equally revolting.
“I think she hated me and also Marlon because we didn’t tell her,” he said, adding that despite all this and his belief “that she hated me for all of her life,” he does not regret the scene nor the way it was constructed, as it had been written “in the script that he had to rape her in a way.”īertolucci’s admission that he and Brando planned to manipulate and take advantage of Schneider for a more genuine effect is outrageously brazen, and since coming to light, his actions have been roundly condemned on social media and by multiple media outlets. Article content Moira Sullivan / Wikimedia
This advertisement has not loaded yet, but your article continues below. Last Tango in Paris (Italian: Ultimo tango a Parigi French: Le Dernier Tango à Paris) is a 1972 erotic drama film directed by Bernardo Bertolucci, which portrays a recently widowed American who begins an anonymous sexual relationship with a young Parisian woman.It stars Marlon Brando, Maria Schneider, and Jean-Pierre Léaud.